Photography — Anne Scott Wilson

Photographs that use flash with fast movement

'turnreturn'

70 cms x 145 cms, archival print on metallic photographic paper

Exhibitions include:
Anne Scott Wilson, video and photographs, Conny Dietzschold Gallery 2012
Head On Photography Festival, Sydney, 2012
On Water, the Project Space, Geelong

'Coathanger'

75 cms x 75 cms, museo portfolio rag

Exhibitions include:
Bowness Photography Prize, Monash Gallery of Art 2015
Inside the Matrix, a tango with light, Conny Dietzschold Gallery, Sydney, 2016

Horsie

Shot using flash with the help of Linda Oliveri, this series aims to synchronise the 'bomb' with the moment before the body is completely submerged leaving a choreographic mark in the pattern of the water imaged through flash light.

pinhole

This is an ongoing series made with a bespoke pinhole cap on a digital camera. Using movements dictated by a bodily knowledge of photography's rule of reciprocity ie knowing the amount of time light has to form an image in relation to how I move with the camera, I choose site specific locations to extend time of exposure.

Bruny pinhole #1

This is the first of a series of images

Exhibitions include:

Experiment, Wyndham Art Gallery, Melbourne 2015

3Anne Scott Wislon_ Rising From application_Page_07.jpg

'Altona'

120 cms x 240 cms, on arches velin

Exhibition include:
Fly Rhythm, Arc One Gallery, 2013
Anne Scott Wilson, video and photographs, Conny Dietzschold Gallery 2015

'Portrait landscape'

120 cms x 200 cms, on arches velin

Exhibitions include:
Fly Rhythm, Arc One Gallery, 2013
Anne Scott Wilson, video and photographs, Conny Dietzschold Gallery, 2015

'Time Step'

65 cms x 160 cms, museo portfolio rag

Exhibitions include:
Mindshadows, Arc One Gallery 2013

Inside the Matrix, a tango with light, Conny Dietzschold Gallery 2015

nine

75 cms x 75 cms, framed lightbox

Exhibitions include:
Mindshadows, Arc One Gallery, 2015

Inside the Matrix, a tango with light, Conny Dietzschold Gallery 2016

'Threshold'

60 cms x 240 cms on Ilford pearl lustre

Exhibitions include:

Threshold, The Carlton, Melbourne 2016

water

I shot a series of photographs with figures in water to slow down movement. I was interested in the kinds of abstractions the body left through a determined amount of time prescribed by the limits of the body to sustain itself either under water, on water or moving in synch with water.

Light Detritus

In some cameras using pinhole caps I encountered marks on the file that occupy a space on top of the image creating patterns formed by dots.

Photographs included in exhibitions

I take imagery from videos and print them as part of interdisciplinary installations and or stage photographs drawing on live performance experiences.

Fluid Retention

This image comes from a video titled 'Twice' which was a part of 'Fluid Retention' in Morbis Artis 2016/17 at RMIT Gallery Melbourne, curated by Darrin Verhagen and Sean Redmond and was a part of Melbourne's White Nights program.

'Billy'

75 cms x 100 cms, video still on museo portfolio rag

Exhibitions include:
Sifting Motion, Arc One Gallery 2012

Turnreturn #1

75 cms x 100 cms, Ilford Lustre photographic paper

Exhibitions include:

Conversation, Arc One Gallery 2011

'Frayed'

75 cms x 85 cms, museo portfolio rag

Exhibitions include:

Frayed, Australian Experimental Art Foundation, Adelaide, 2011

When I look outside the window my shoes creak

40 cms x 55 cms, video still museo portfolio rag

Exhibitions include:

When I look outside the window my shoes creak, Centre for Contemporary Photography, 2009

Every Day I Wait

120 cms x 65 cms, arches velin print from photographic image

Exhibitions include:

Every Day I Wait, Arc One Gallery 2010

creating neverland

Performativity brings an opportunity to embody a moment physically that, like in sport, contains an element of risk yet in acting the body in this work I used the choreographic decisions to feel what its like to try to control the uncontrollable.

To this end the work’s risk taking is to provide a reflection upon the inevitable moment we all face.