ANNE SCOTT WILSON

PhD Monash University Melbourne (Fine Art)

BA (hons) Royal Melbourne Institute of Technology (painting)

SOLO EXHIBITIONS

2018

If you stay where you are, you’ll run into yourself, Toot Art Space St Kilda, Australia

2018

Richmanpoorman Geelong After Dark, Project Space, Deakin University, Australia

2017

Every Day I Wait # 3, Museum of Brisbane, Australia

2016

Inside the Matrix, a tango with light, Conny Dietzschold Gallery, Sydney Australia

2016

The Sound of One Foot Tapping, The Stockroom Kyneton, Australia

2015

Anne Scott Wilson, video & photography, Conny Dietzschold Gallery Sydney Australia

2013

Fly Rhythm, Arc One Gallery, Melbourne, Australia

2012

Anne Scott Wilson, InsideOut#2, video, painting and pinhole photography, Post Office Gallery, Ballarat, Australia

2011

Frayed, Australian Experimental Art Foundation, Adelaide, Australia

2010

Conversation, Arc One Gallery, Melbourne, Australia

2009

SoundingOut Kings Artist Run Initiative, Melbourne, Australia

2008

Sifting Motion, Arc One Gallery, Melbourne, Australia

2007

In Your Own Time, Monash Faculty Gallery, Melbourne, Australia

2006

At the end of the day, Linden St Kilda Centre for Contemporary Art, Australia

2005

Tricks, Kings artist run initiative, Melbourne Australia

2004

Fight or Flight, Bus Gallery, Melbourne, Australia

2003

Fight or Flight, Media Arts Asia Pacific Biennial, Singapore

2002

Moving Wallpaper, Westspace, Melbourne, Australia

2001

Rhythm of an absent body, Mass Gallery, Fitzroy, Australia

SELECTED GROUP EXHIBITIONS

2019

Das, Was Du Siehst, Bekommst Du Auch, Leipzig Germany, Helsinki Finland, curated by David Ashley Kerr

2018

Groundplane Opera City, White Night Geelong, Australia

2018

And then…fifteen artists, Langford 120, Melbourne Australia curated by Irene Barberis

2018

On Drawing, The Art of CUHK – Invitational Exhibition, Hong Kong, Zurich University of the Arts, Switzerland

2018

Richmanpoorman, Geelong After Dark, Australia

2018

Groundplane Opera, Mountain to Mouth Geelong, Australia

2017

Iconic Industry, New Wool Museum, Geelong, Australia

2017

Materialist Photography, Jarvis Dooney Gallery, Berlin, Germany

2017

Weep for Painting, curated by Domenico de Clario, Mars Gallery, Melbourne

2017

Fossil, curated by Felicity Spear, Stephen McLaughlin Gallery, Melbourne

2017

Red, Green, Blue: A History of Australian Video Art, curated by Matthew Perkins, Griffith University, Australia

2017

Morbis Artis: Disease of the Arts, curated by Sean Redmond and Darrin Verhagin, RMIT Gallery, Melbourne, Australia

2016

Lorne Sculpture Biennale: site specific performance improvisation, with Louise Morris, Lorne Australia

2016

Seven Trumpets, Strange Neighbour Gallery, Collingwood, Australia curated by David Ash Kerr

2016

Mindshadows, Arc One Gallery, Melbourne Australia curated by Laura Lantiera

2016

Contemporary Australian Drawing #6: Global Drawing: 'The Body, Kinetics and the Space of Drawing', SACI, Florence, Italy; Bury Art Museum London UK, curated by Metasenta Australia

CURATION

2017

Sounding Histories, Mission to Seafarer’s Victoria with Cameron Bishop

2018

Groundplane Opera City, as part of White Night Geelong, curated with Cameron Bishop

2016

Finitude, Plimsol Gallery, University of Tasmania with Catherine Bell and Michael Needham

2011

On the Line, Centre for Contemporary Photography, Collingwood, Australia

SELECTED BIBLIOGRAPHY

2017

Every Day I Wait, Museum of Brisbane online listing

2017

Sounding Histories audio interview, The Grapevine, 3RRR

2016

Crossing the Line 3: Global Drawing, Studio Art International, review

2016

The Conversation, of microbes and machines, how art and science fuse in bio art

2016

When Capture Incarnates by Will Johncock, Trhardmagazine, Issue 9, 2016

2016

In the Wastes of Ormen, Realtime Arts, Stephen Wright

2016

The Sound of One Foot Tapping, The Stockroom Kyneton Australia

2015

Inside the Matrix: a tango with light, Conny Dietzschold Gallery Sydney Australia

2016

Morbis Artis: Disease of the Arts: a bio art exhibition

TEXTS

2018

The Biophilic Effect: Hidden living patterns within the dance of light, Roos, P., Jones, D., Scott Wilson, A., Unesco Observatory, Faculty of Architecture, Building and Planning, the University of Melbourne, 2018

2016

A Wilson, (2016) Technology as collaborator in somatic photographic practice, Journal of dance and somatic practice vol. 8, pub Intellect books, pp11-19,

 

A Wilson, (2016) Improvisation in visual art practice using a photographic process, Brolga issue 41 pub Australian Dance Council

2016

Youtube and me: can you teach an old dog new tricks?  In Transductions: global experiment in digital art curation, pub Media XXI, 2016 Portugal

2017

A Wilson, (2017) #novacancy,’ Collaboration and Community engagement’; in ‘Iconic Industry: exploring the industrial built fabric of Geelong’,  p47 published alongside the exhibition of the same name, National Wool Museum, Geelong Australia

AWARDS

2018

Australia Council for the Arts development grant

2016

NAVA Carstairs residency

2011

Australia Council for the Arts Residency Liverpool UK

2009

Creative Victoria development grant

2009

Ian Potter emerging artist grant

2008

Australia Council for the arts emerging artist grant

2007

Can Serrat Artist Residency

2006

Ethnographic Film Festival artist residency Sardinia Italy

2003

Monash Faculty Postgraduate Award

PRIZES

2016

Bowness Photography Prize Finalist

2015

Substation Contemporary Art Prize finalist

2011

Scottish Bank Emerging Artist Award finalist

2009

Joseph Ulrich Photography Award finalist

2008

Blake Prize finalist