ANNE SCOTT WILSON
+61 433 155 213
@annewilson7705
PhD Monash University, Melbourne (Fine Art)
BA (hons) Royal Melbourne Institute of Technology, Melbourne (painting)
SELECTED SOLO EXHIBITIONS
2023 Fugitive States, ACU gallery, Fitzroy
2022 Motion Signalling, Articulate Gallery, Sydney
2022 Spin into Being, Five Walls Gallery, Footscray
2021 Algorhythmia, Polaris Gallery, South Yarra
2020 Presencing, The Project Space, Geelong, collaboration with Aaron Hoffman
2019 Anne Scott Wilson, Seeing not Looking, Mars Gallery Australia, curated by Brie Trenerry
2018 If you stay where you are, you’ll run into yourself, Toot Art Space, St Kilda, Australia
2018 Richmanpoorman Geelong After Dark, Project Space, Geelong, Australia
2017 Every Day I Wait # 3, Museum of Brisbane, Australia
2016 Inside the Matrix, a tango with light, Conny Dietzschold Gallery, Sydney Australia
2016 The Sound of One Foot Tapping, The Stockroom, Kyneton, Australia
2015 Anne Scott Wilson, video & photography, Conny Dietzschold Gallery Sydney Australia
2013 Fly Rhythm, Arc One Gallery, Melbourne, Australia
2012 Anne Scott Wilson, InsideOut#2, video, painting and pinhole photography, Post Office Gallery, Ballarat Australia
2011 Frayed, Australian Experimental Art Foundation, Adelaide, Australia
2010 Conversation, Arc One Gallery, Melbourne, Australia
2009 SoundingOut, Kings Artist Run Initiative, Melbourne, Australia
SELECTED GROUP EXHIBITIONS
2024 Oscilloforms, curated by Kim Donaldson + Sean Lowry, Project8 Gallery, Melbourne
2024 Venetian Bind, Venice, Italy, curated by David Cross and Cameron Bishop (forthcoming)
2023 Melbourne Design Week, Eco Futures, curated by Critical Digital Intersections and Infrastructures
2023 Art School Confidential, Deakin Gallery, curated by James Lynch
2023 Digital Aesthetics, Sandbox, Brunswick, curated by Sue Beyer
2023 Abstraction, Five Walls Footscray, curated by Missy Ueda and Emma Langridge
2022 After Walter Hopps, Platform Geelong, curated by Amber Smith
2021 Not Home, Sandbox, Brunswick, co curator
2019 Out of the Box, Australian art at Ars Electronica 40th Year Festival, Linz, Austria, curated by Lubi Thomas
2019 X Marks the Spot, Live performance, video with artificial intelligence (pre programmed drones and children’s choir), Geelong Art Centre with Cameron Bishop
2018 Groundplane Opera City, White Night Geelong, Australia, with Cameron Bishop
2018 And then…fifteen artists, Langford 120, Melbourne Australia curated by Irene Barberis
2018 On Drawing, The Art of CUHK – Invitational Exhibition, Hong Kong, Zurich University of the Arts, Switzerland
2019 Optical Allusions as part of Venetian Blind, Palazzo Bembo, ‘Personal Structures’, Venice Italy, curated by David Cross and Cameron Bishop
2019 Beehive: Reveal our City with ARS Electronica, Geelong Council for Geelong After Dark
2018 Groundplane Opera, Mountain to Mouth Geelong, Australia
2017 Iconic Industry, New Wool Museum, Geelong, Australia
2017 Materialist Photography, Jarvis Dooney Gallery, Berlin, Germany
2017 Weep for Painting, curated by Domenico de Clario, Mars Gallery, Melbourne
2017 Fossil, curated by Felicity Spear, Stephen McLaughlin Gallery, Melbourne
2017 Red, Green, Blue: A History of Australian Video Art, curated by Matthew Perkins, Griffith University, Australia
2017 Morbis Artis: Disease of the Arts, curated by Sean Redmond and Darrin Verhagin, RMIT Gallery, Melbourne, Australia
2016 Lorne Sculpture Biennale: site specific performance improvisation, with Louise Morris, Lorne Australia
2016 Seven Trumpets, Strange Neighbour Gallery, Collingwood, Australia curated by David Ash Kerr
2016 Mindshadows, Arc One Gallery, Melbourne Australia curated by Laura Lantiera
2016 Contemporary Australian Drawing #6: Global Drawing: 'The Body, Kinetics and the Space of Drawing',
SACI, Florence, Italy; Bury Art Museum London UK, curated by Metasenta Australia
AWARDS & COMMISSIONS
2024 Geelong City Council, public art project, Yarra Street Geelong (forthcoming)
2023 Playing in the Shadows, Yarra City Council commission
2019 Beehive: Reveal our City with ARS Electronica, Geelong Council for Geelong After Dark
2019 Every Day I Wait #3, Museum of Brisbane, programmed with ‘Mao’s Last Dancer’ exhibition
2020 City of Geelong, new work grant
2020 Iconic Industries with VacantGeelong, development grant Geelong Council
2019 City of Geelong, development grant Studio 112
2018 Australia Council for the Arts development grant
2016 NAVA Carstairs residency winner
2011 Australia Council for the Arts Residency Liverpool UK
2009 Creative Victoria development grant
2008 Australia Council for the arts emerging artist grant
2008 Australia Council for the Arts, Banff Residency
2007 Can Serrat Artist Residency
PRIZES
2016 Bowness Photography Prize Finalist
2016 NAVA Carstairs winner, Bundanon
2015 Substation Contemporary Art Prize finalist
2011 Scottish Bank Emerging Artist Award finalist
2009 Joseph Ulrich Photography Award finalist
2008 Blake Prize finalist
2009 Ian Potter emerging artist grant
2006 Ethnographic Film Festival artist residency Sardinia Italy
2003 Monash Faculty Postgraduate Award
SELECTED BIBLIOGRAPHY
2023 Vault Magazine, Australian Art and Culture, Issue #44, AI and Superfictions, forward through fiction, Peter HIll
2017 Every Day I Wait, Museum of Brisbane online listing
2017 Sounding Histories audio interview, The Grapevine, 3RRR
2016 Crossing the Line 3: Global Drawing, Studio Art International, review
2022 Spin into Being
2016 When Capture Incarnates by Will Johncock, Trhardmagazine, Issue 9, 2016
2016 In the Wastes of Ormen, Realtime Arts, Stephen Wright
2016 The Sound of One Foot Tapping, The Stockroom Kyneton Australia
2015 InsidetheMatrix:atangowithlight,ConnyDietzscholdGallerySydneyAustralia
2016 Morbis Artis: Disease of the Arts: a bio art exhibition
TEXTS
2023 Saturated Colour in a Nebulous Grey Zone, catalogue essay 'Fugitive States', David Cross
2021 Abstract Photography in Dancing Movements , catalogue essay 'Algorhythmia', Ouyang Yu
2021 Algorhythmia, catalogue essay Anna Shimshak
2022 Spin into Being, the body as redemptive tool in our engagement with the digital, published abstract from the International Associaton of Photography and Theory
2018 The Biophilic Effect: Hidden living patterns within the dance of light, Roos, P., Jones, D., Scott Wilson, A.,
Unesco Observatory, Faculty of Architecture, Building and Planning, the University of Melbourne, 2018
2016. A Wilson, (2016) Technology as collaborator in somatic photographic practice, Journal of dance and
Somatic practice vol. 8, pub Intellect books, pp11-19,
2017 A Wilson, (2016) Improvisation in visual art practice using a photographic process, Brolga issue 41 pub Australian Dance Council
Youtube and me: can you teach an old dog new tricks? In Transductions: global experiment in digital art curation, pub Media XXI, 2016 Portugal
2017 A Wilson, (2017) #novacancy,’ Collaboration and Community engagement’; in ‘Iconic Industry: exploring the industrial built fabric of Geelong’, p47 published alongside the exhibition of the same name, National Wool Museum, Geelong Australia