ANNE SCOTT WILSON
+61 4 33155213
annescottw@gmail.comNNE
EDUCATION
2003 - 2007 Doctor of Philosophy (Fine Art) Monash University, Melbourne
2001 - 2002 Master of Fine Art (by research), Monash University, Melbourne (converted to PhD)
1999 - 2000 Honours (Fine Art - Painting) RMIT Melbourne
1995 - 1998 BA (Fine Art - Painting), RMIT, Melbourne
SOLO EXHIBITIONS
2023 Anne Scott Wilson, between photography + painting, Tibaldi Gallery, Rome (forthcoming)
2023 Fugitive States, ACU Gallery Fitzroy, Melbourne
2022 Motion Signalling, Articulate Gallery Sydney
2022 Spin into Being, Five Walls Gallery Footscray
2021 Algorhythmia, Polaris Gallery South Yarra
2020 Presencing, The Project Space, collaboration with Aaron Hoffman
2019 Anne Scott Wilson, Seeing not Looking, Mars Gallery Australia, curated by Brie Trenerry
2018 If you stay where you are, you’ll run into yourself, Toot Art Space St Kilda, Australia
2018 Richmanpoorman Geelong After Dark, Project Space, Deakin University, Australia
2017 Every Day I Wait # 3, Museum of Brisbane, Australia
2016 Inside the Matrix, a tango with light, Conny Dietzschold Gallery, Sydney Australia
2016 The Sound of One Foot Tapping, The Stockroom Kyneton, Australia
2015 Anne Scott Wilson, video & photography, Conny Dietzschold
2013 Fly Rhythm, Arc One Gallery, Melbourne
2012 Anne Scott Wilson, InsideOut#2, video, painting and pinhole photography, Post Office Gallery, Ballarat University, Ballarat
2012 Anne Scott Wilson, Photographs and Video, Conny Dietzschold Gallery, Sydney
2011 Frayed, Australian Experimental Art Foundation, Adelaide, South Australia
2011 when i look outside the window my shoes creak, Centre for Contemporary Photography Melbourne
2010 every day I wait, Arc One Gallery, Melbourne
2009 Inside Out, Frankston Art Centre, Melbourne
2009 Conversation, Arc One Gallery, Melbourne
2008 Conversation, Urban Screens Festival, Federation Square, Melbourne
2008 Sounding Out, Kings Artist Run Initiative collaboration with Kate Swinson
2008 Sifting Motion, Arc One Gallery, Melbourne
2007 New Work, Gallery Bar, St Kilda, Melbourne
2006 In Your Own Time, Monash Faculty Gallery, Monash University, Melbourne
2004 At the end of the day, Linden St Kilda Centre for Contemporary Art, Melbourne
2003 Tricks, Kings Artist Run Initiative, Melbourne
2003 Fight or Flight, Bus Gallery, Melbourne
2002 Moving Wallpaper, Westspace, Melbourne
2002 rhythm of an absent body, Mass Gallery, Fitzroy
FILM FESTIVALS
2009 Conversation, Rotterdam International Film Festival, Curated Program
2008 Conversation, Urban Screens Festival, Federation Square, Melbourne
2008 In Your Own Time, Fotografest, Mexico City
2007 In Your Own Time, Athens International Film Festival, Videodance
SELECTED GROUP EXHIBITIONS
2023 Digital Aesthetics, Sandbox, curated by Sue Beyer
2023 Women in Abstraction, Five Walls Footscray, curated by Missy Ueda and Emma Langridge
2022 After Walter Hopps, Platform Geelong, curated by Amber Smith
2021 Not Home, Sandbox Brunswick, co curator
2019 Out of the Box, Australian art at Ars Electronica 40th Year Festival, Linz, Austria, curated by Lubi Thomas
2019 X Marks the Spot, Live performance, video with artificial intelligence (pre programmed drones and
children’s choir), Geelong Art Centre with Cameron Bishop
2018 Groundplane Opera City, White Night Geelong, Australia, with Cameron Bishop
2018 And then…fifteen artists, Langford 120, Melbourne Australia curated by Irene Barberis
2018 On Drawing, The Art of CUHK – Invitational Exhibition, Hong Kong+ Zurich University of the Arts,
Switzerland
2019 Optical Allusions as part of Venetian Blind, Palazzo Bembo, ‘Personal Structures’, Venice Italy, curated by
David Cross and Cameron Bishop
2018 Groundplane Opera, Mountain to Mouth Geelong, Australia
2017 Iconic Industry, New Wool Museum, Geelong, Australia - co curator
2017 Materialist Photography, Jarvis Dooney Gallery, Berlin, Germany
2017 Weep for Painting, curated by Domenico de Clario, Mars Gallery, Melbourne
2017 Fossil, curated by Felicity Spear, Stephen McLaughlin Gallery, Melbourne
2017 Red, Green, Blue: A History of Australian Video Art, curated by Matthew Perkins, Griffith University, Australia
2017 Morbis Artis: Disease of the Arts, curated by Sean Redmond and Darrin Verhagin, RMIT Gallery, Melbourne, Australia
2016 Lorne Sculpture Biennale: site specific performance improvisation, with Louise Morris, Lorne Australia
2016 Seven Trumpets, Strange Neighbour Gallery, Collingwood, Australia curated by David Ash Kerr
2016 Mindshadows, Arc One Gallery, Melbourne Australia curated by Laura Lantiera
2016 Contemporary Australian Drawing #6: Global Drawing: 'The Body, Kinetics and the Space of Drawing', SACI, Florence, Italy; Bury Art Museum London UK, curated by Metasenta Australia
2012 Forest of Gestures, video and sound installation in collaboration with Alexander Harrison, Dancehouse Victoria
2012 Kick Off Contemporary Video Art Program, Queensland Public Art fund, Gold Coast
2012 Whats Coming, program devised by resident artist Alexandra Harrison, Dancehouse, Melbourne
2011 Birth_Art, Australian Catholic University, curated by Tilly Morris
2011 Black Box White Cube, Aspects of Performance in Australian Art, curated by Steven Tonkin,
Victorian Arts Centre, Melbourne
2011 Aired, Post Office Gallery, Ballarat University, Ballarat
2011 Selectively Revealed, curated by Sarah Bond (Asialink) and Clare Needham (Experimenta)
Aram Art Gallery, Seoul, Korea; National Tawian Museum of Fine Arts, Taipei, Chulanlongkorn University,
Art Space, Bangkok, Jakarta Biennal,
2010 50 x 50, Arc One Gallery, Melbourne
2010 Royal Bank of Scotland Award Exhibition, RBS Emerging Artist Award, Melbourne
2010 painThing, Australian Experimental Art Foundation, devised by Domenico de Clario
2009 The Josephine Ulrick and Win Schubert Photography Award, Gold Coast Art Centre, Queensland
2009 On the Line, Centre for Contemporary Photography, Melbourne (self curated)
2008 Vernacular Terrain, Monash Faculty Gallery, Melbourne
2008 Melbourne International Urban Screens Festival, Federation Square, Melbourne
2007 Conversation, Bus Artist Run Initiative, Melbourne, Australia
2007 Conversation, Australian Centre for Photography, Sydney Australia
2007 - 2008 Suspense, International Digital Art Projects, 07-08 program:
QUT, Brisbane, Qld, Beijing, China, Yokohoma Art Project, Japan
2007 Anxious Bodies, Plimsol Gallery, Hobart Tasmania
2007 Edge to Edge, drawing exhibition, Curated by Imogen Benyon, Edith Cowan University WA
2007 Royal Rumble, Kings Artist Run Initiative, Melbourne
2006 Nuit Blanche, Performance with Jeremy Lyghton, China Gallery, Paris
2006 Anxious Bodies, curated by Matthew Perkins, Linden St Kilda Centre for Contemporary Art
2005 Mise en Scene, Yarra Sculpture Gallery w Elaine Miles (glass artist)
2005 Suspense, Centre for Contemporary Photography, Melbourne
2004 Pixel This!, Poimena Gallery, Launceston, Tasmania
2004 Fight or Flight, Media Arts Asia Pacific Biennial ‘Gravity’ - Singapore Theatre on the Bay
2004 Fight or Flight, Canberra Contemporary Art Space, Canberra
2004 OutTAKEout, Projekt Video Catalogue launch curated by Brendan Lee, Kings ARI, Melbourne
CURATOR
2009 On the line, Centre for Contemporary Photography, Melbourne
2015 Finitude, Plimsol Gallery, University of Tasmania
2020 Iconic Industries, Wool Museum Geelong with #VacantGeelong
2021 Beehive, Reveal Our City, with ARS Electronica and City of Geelong
2020 GroundplaneOperaCity, for Whitenight Geelong with Cameron Bishop
2019 GroupdpaneOpera, for Mountain to Mouth Geelong with Cameron Bishop
2018 Sounding HIstories, Mission to Seafarers Museum 100th Anniversary with Cameron Bishop
http://www.ccp.org.au/exhibitions.php?f=20090321_Gallery_3
BIBLIOGRAPHY
2021
Algorhythmia , essay by Anna Shimshak
2021 Algorhythmia, essay by Ouyang Yu
2021 Algorhythmia, Polaris Gallery, website listing210
2019 Seeing Not Looking, Mars Gallery Melbourne, website listing
2019 Seeing Not Looking, ARS Electronica, Out of the Box, 40th Anniversary online listing
2017 Every Day I Wait, Museum of Brisbane online listing
2017 Sounding Histories audio interview, The Grapevine, 3RRR
2016 Crossing the Line 3: Global Drawing, Studio Art International, review
2022 Spin into Being
2016 When Capture Incarnates by Will Johncock, Trhardmagazine, Issue 9, 2016
2016 In the Wastes of Ormen, Realtime Arts, Stephen Wright
2016 The Sound of One Foot Tapping, The Stockroom Kyneton Australia
2015 Inside the Matrix: a tango with light, Conny Dietzschold Gallery Sydney Australia
2016 Morbis Artis: Disease of the Arts: a bio art exhibition
2013 Body as conduit between time and space in contemporary photographic practice using analogue techniques, Anne Scott Wilson, Interdisciplinary.net; Panel: Time Space and the Body Conference,
with Dr Catherine Bell, Dr Michael Needham, Sydney
2011 Black Box White Cube, Aspects of Performance in Contemporary Australian Art, Stephen Tonkin, Movement and Metaphor, p 15; http://www.vic.gov.au/event/2011/06/black-box-white-cube.html
2011 Aired, Ballarat University, online catalogue
2011 http://www.acu.edu.au/about_acu/news_events/acu_events/melbourne/birth.art_exhibition
2011 when I look outside the window my shoes creak, Centre for Contemporary Photography,
online catalogue
2011 Semblance at the Top, exhibition catalogue, Australian Experimental Art Foundation, Melissa Amore
2010 The Official Blake Prize Web Site: http://www.blakeprize.com.au/works/conversation
2010 Royal Bank of Scotland Emerging Artists Award, 2010, catalogue, Anne Scott Wilson, p58
2010 The Point of it All, exhibition catalogue for ‘Every DayI Wait’, Arc One Gallery, Dr Stephen Garrett
2010 Anne Scott Wilson, Every Day I Wait, review by Melissa Amore, Photofile
2010 Liverpool Biennal, online catalogue, Mist, http://blogs.biennial.com/?s=anne+scott+wilson
2009 Sacred Australia, Performance Art, Ritual and Sharmanism, Anne Marsh, ed M. Taranjape, p 283
2009 When you think about art, ed H. Vivian, pub McMillan Publishers Australia 2008 p 132, 207,211
2009 Australian Art Collector, VIC WRAP January/February edition p 271
2009 Conversation, The Age, Sightlines, March, Ross Moore
2009 Visual Reminisence, Anne Wilson, Elena Galimberti, review, Photophile # 86, p 69
2008 Sounding Out, The Age, sightlines, Ross Moore, August
2008 On the Line, Photofile preview by Phip Murray, Edition 85, p.12
2008 Visceral, organic vision makes waves, Robert Nelson, The Age, 17th April, 2008
2007 Athens International Film Festival; http://www.filmfestival.gr/videodance/2007/doc/vd07-films.pdf
2007 Body and Soul, Livewire, interview by Penny Webb December 2007
2007 Talking in Muffled Tone Resonant, review by Penny Webb, The Age 21st August 2007, p 20
2006 Anxious Bodies, Essay by Dr Anne Marsh, Linden Centre for Contemporary Art, catalogue
2006 Anxious Bodies, Whats On, The Age, July
2006 Digital Masters, The Age, March 9, Benjamin Priess, artist profile
2005 Mise en Scene, Melbourne Times, review,October 10
2005 Suspense Centre for Contemporary Photography by Robert Nelson, The Age, July
2005 Suspense Centre for Contemporary Photography, Chris Reid, Realtime
2004 Fight or Flight, Realtime, MAAP in Singapore, Gail Hastings: http://www.realtimearts.net/feature/search/8502
2004 At the end of the day, catalogue, Evan Maloney
2004 At the end of the day, Linden Catalogue
2002 rhythm of an absent body, Projekt Video Catalogue: 1st Issue
2002 Moving Wallpaper, catalogue essay, Brie Trenerry
2002 rhythm of an absent body, catalogue essay, Brie Trenerry
2000 Always Greener review Fest on the Net ABC website
2000 Always Greener, catalogue, Mark Brietenberg (LA) & David Cross (Aus)
2000 Always Greener, review, Robert Nelson, The Age, May 2000
AWARDS, GRANTS, COMMISSIONS
2016 Bowness Photography Prize Finalist
2015 Substation Contemporary Art Prize finalist
2011 Scottish Bank Emerging Artist Award finalist
2009 Joseph Ulrich Photography Award finalist
2008 Blake Prize finalist
2009 Ian Potter emerging artist grant
2006 Ethnographic Film Festival artist residency Sardinia Italy
2003 Monash Faculty Postgraduate Award
2023 ShadowPlay, Yarra City Council commission (forthcoming)
2019 Beehive: Reveal our City with ARS Electronica, Geelong Council for Geelong After Dark
2019 Every Day I Wait #3, Museum of Brisbane, programmed with ‘Mao’s Last Dancer’ exhibition
2020 City of Geelong, new work grant
2020 Iconic Industries with VacantGeelong, development grant Geelong Council
2019 City of Geelong, development grant Studio 112
2018 Australia Council for the Arts development grant
2015 Bundanon Carstairs Artist Residency winner
2013/14 Urban Screens TV, film commission: Holst, 'The Planets' Neptune, screening Sydney, New York, London, Beijing
2012 Kick Off, Queensland Government Public Art Commission, Gold Coast Stadium
2010 Australian Council for the Arts, Art Start Grant
2010 Arts Victoria Grant, development and creation, Fields of Glory
2010 Australian Council for the Arts, artist residency Liverpool UK
2008 Ian Potter Foundation, emerging artists grant for travel
2008 Can Serrat Artists Residency, Barcelona
2008 Australia Council for the Arts, Artists Residency, Banff, Canada
2007 Honorary Research Fellow, Monash University
2006 Australian National University, Nuoro Film Festival Workshop Residency, Italy
2006 Australian Centre for Contemporary Art, Curatorial Lab
2003 Digital Pictures sponsor of Fight of Flight
2001 - 2004 Monash Faculty Scholarship
2000 Huntaway Productions sponsor of Always Greener
COLLECTIONS
Public Collections
Australian Video Art Archive
Art Bank
ACMI Projekt Catalogue Issue #1
CCCA Projekt Catalogue Issue # 1
Private Collections within Australia and Hong Kong
TEACHING
2013 Lecturer, Canberra University, Film Production
2013 Lecturer, Australian Catholic University, Visual Art and Design,
Photography, self directed studies, Art & Spirit
2012 Lecturer, Canberra University, Department of Screen & Media, Film Production
2012 Examiner, Victorian College of the Arts, Masters candidates
2011-12 Lecturer, La Trobe Street College of Art and Design, video
2011-12 Lecturer, Australian Catholic University, Fine Art Photography
2010 Lecturer, La Trobe Street College of Art and Design, video
2010 Lecturer, Australian Catholic University, Fine Art 2D studies
2009 Lecturer, Australian Catholic University, Fine Art 3D/4D studies
2009 Lecturer, Monash University, Fine Art Department advanced video unit
2008 Lecturer, La Trobe Street College of Art and New Media, video module
2008 Lecturer, Victorian College of the Arts, Centre for Ideas, collaborative studies
2008 Honorary Research Fellow, Women in Research, Monash University
2008 Lecturer, 2D studies, Australian Catholic University
2008 Lecturer, Victorian College of the Arts, Centre for Ideas, collaborative studies
2007 Honorary Research Fellow, Monash University, Fine Art Department
2007 Lecturer, Australian Catholic University, Fine Art 2D studies
2005 - 2006 Lecturer, Monash University, Post Graduate Department Art & Design, video
2000 - 2004 Lecturer, Victorian College of the Arts,
Photography, Painting and Drawing departments.
2002 - 2003 Lecturer, Victorian College of the Arts, Centre for Ideas, video
2000 - 2003 Lecturer, La Trobe Street College of Art and Design, video
pre 1995 Guest teacher Victorian College of the Arts, under graduate Dance Department, Jazz
Teacher and choreographer of Ballet, Jazz, commercial performance projects
ASSOCIATED OTHER
2008 Concept Design, choreography, producer, Nature Studies for Loreal Fashion Week,
Mars Gallery, Melbourne
2007 Camera Rig Design, editor, Domenico de Clario, A Tertiary World, Mars Gallery Melbourne
2007 Production assistant, Louise Paramour, Show Court 3, Nellie Castan Gallery, Melbourne
2006 Production assistant, Sally Mannall, Life as Life’s beyond, National Gallery of Victoria
2006 Camera, lighting, edit and author for Catherine Bell, Felt is the past tense of Feel,
Linden St Kilda Centre for Contemporary Art
2006 Camera, editor, technical assistant, Christian Thompson, Lets Dance,
National Gallery of Victoria, George Adams Gallery, Melbourne
2005 Camera, editor, technical assistant, Christian Thompson, I needed you/you needed me (The Fox)
Centre for Contemporary Photography, Melbourne
2005 Camera, art direction, editor Julie Panini, Marylou Pavlovic, Australian Centre for Photography
2004 Editor, Gossip Pop DVD - Sue Dodd
2004 Editor, camera, technical assistant, Guy Benfield, Australian Centre for Contemporary Art, New 04
2003 - 2004 Inaugural Co ordinator of Kings artist run initiative
2002 - 2003 Director & founder ‘Inner Melbourne Studio One’ a non profit arts organisation that
provides technical assistance for the development of art projects
2003 Series and Melbourne segment editor, camera operator, Public Hangings, nationwide
CH 31, produced by Andrew MacKenzie