Wilson’s engagement with technology is central to her artistic practice. She incorporates mechanical, automated and manual tools influenced by years of dance training and performing.

In this series, she explores the transformation of a photograph from pinhole to digital to physical form, using techniques like montage, cutting, and reshaping. Emphasizing surfaces, Wilson investigated their interaction with light and the immediacy of live reflections. Her works are in constant flux, dynamically altered by movement, and light, during their creation and installation.