Research & Writing
My research explores the intersection of technology, embodied experience, and spatial practice. This theoretical engagement directly informs my installation work and curatorial projects.
Through writing and curation, I investigate how digital technologies mediate our relationship to space, memory, and perception. These scholarly activities are not separate from my artistic practice but rather form an integrated approach to understanding contemporary experience.
Writings by Anne Scott Wilson
A Ghost in the Machine
Book chapter on Seeing not Looking, a performance with drone cameras, AI and dancers.
Dance: Vertical View
Essay on making Dance: Vertical View with Irene Barberis and Sarah Duyshart, in response to Dance (1979) by Lucinda Childs, Philip Glass and Sol LeWitt.
The Familiar Unknown: Art in the Time of AI
Curatorial statement for the exhibition, on artists, rules and machines.
Data Privacy, Ethics and Education in the Era of AI – A University Student Perspective
Conference paper with Rebekah Rousi and Hanna-Kaisa Alanen.
Seeing Not Looking
Journal article on Seeing not Looking: an autonomous drone camera and two performers negotiating how they see one another.
Spin Into Being: The Body as Redemptive Tool in Our Engagement With the Digital
Conference paper abstract: the body as the lynchpin of photography in the digital condition.
Mapping Time and Space: The Body as Conduit in Contemporary Analogue Photography
Investigation of embodied experience in analogue photographic processes
Technology as collaborator in somatic photographic practice
Explores the intersection of technology and somatic practice in photographic work
Improvisation in visual art practice using a photographic process
Examines improvisation methodologies in contemporary photographic practice
Catalogue Essays & Reviews
Beyond the Ballerina
Catalogue essay for "Beyond the Ballerina" exhibition at Wyndham Gallery, curated by Dr Megan Evans and Olivia Poloni
FugitiveStates
Catalogue essay for FugitiveStates exhibition
Algorhythmia
Catalogue essay for Algorhythmia exhibition
AI & Superfictions: Forward Through Fiction
Essay by Peter Hill on AI and art, quoting Anne Scott Wilson and reproducing Seeing not Looking, LightSpin (Spin into Being) and a pinhole photo sculpture from Fugitive States
Women in Abstraction
Catalogue essay for Women in Abstraction exhibition
Spin into Being
Catalogue essay for Spin into Being exhibition
Liquid code – reflections on Anne Scott Wilson’s Fugitive States
Review of Fugitive States, ACU Gallery, Fitzroy
When Capture Incarnates
Critical review by Will Atkinson
Inside the Matrix: A Tango with Light
Catalogue for the solo exhibition, with essays by Anne Scott Wilson and Sean Redmond
Crossing the Line 3, Global Drawing
Review of participation in international drawing exhibition
Seven Trumpets
Catalogue essay for Seven Trumpets exhibition
Fly rhythm
Catalogue essay for Fly rhythm exhibition
InsideOut #2
Catalogue for the solo exhibition at Post Office Gallery, University of Ballarat, with an essay by Elizabeth Day
Anne Scott Wilson Video & Photography
Catalogue essay for solo exhibition
Black Box White Cube: Aspects of Performance in Contemporary Australian Art
Exhibition catalogue, with Every Day I Wait (2010) and In Your Own Time (2006)
Selectively Revealed
Catalogue for the Asialink and Experimenta exhibition touring Seoul, Jakarta, Taipei and Bangkok, curated by Sarah Bond and Clare Needham
Frayed
Catalogue essay “Semblance at the top” by Melissa Bianca Amore, for the solo exhibition at the Australian Experimental Art Foundation, Adelaide